蒂莫西•加顿艾什（Timothy Garton Ash）：英国牛津大学欧洲研究教授，圣安东尼学院以赛亚•伯林教授研究员，斯坦福大学胡佛研究所高级研究员。为《卫报》、《泰晤士报》、《纽约书评》等报刊撰稿，并出版多本著作。代表作有We the People、The File ：A Personal History、Facts are Subversive等。

蒂莫西•加顿艾什（Timothy Garton Ash）：英国牛津大学欧洲研究教授，圣安东尼学院以赛亚•伯林教授研究员，斯坦福大学胡佛研究所高级研究员。为《卫报》、《泰晤士报》、《纽约书评》等报刊撰稿，并出版多本著作。代表作有We the People、The File ：A Personal History、Facts are Subversive等。

Timothy Garton Ash is well known as an astute and penetrating observer of a dazzling array of subjects, not least through his many contributions to the New York Review of Books. This collection of his essays from the last decade reveals his knack for ferreting out exceptional insights into a troubled world, often on the basis of firsthand experience. Whether he is writing about...(展开全部)

蒂莫西•加顿艾什（Timothy Garton Ash）：英国牛津大学欧洲研究教授，圣安东尼学院以赛亚•伯林教授研究员，斯坦福大学胡佛研究所高级研究员。为《卫报》、《泰晤士报》、《纽约书评》等报刊撰稿，并出版多本著作。代表作有We the People、The File ：A Personal History、Facts are Subversive等。

What is the true human cost of the war in Afghanistan? What are the real effects of the austerity measure? And how did the London riots spread so quickly? "Facts are Sacred", the "Guardian's" award-winning datablog, publishes and analyses seemingly benign data - released under the auspices of transparency - to bring its readers astonishing revelations about the way we live now....(展开全部)

What is the true human cost of the war in Afghanistan? What are the real effects of the austerity measure? And how did the London riots spread so quickly? "Facts are Sacred", the "Guardian's" award-winning datablog, publishes and analyses seemingly benign data - released under the auspices of transparency - to bring its readers astonishing revelations about the way we live now....(展开全部)

A preeminent music historian and critic presents a global history of music from the bottom up Histories of music overwhelmingly suppress stories of the outsiders and rebels who created musical revolutions and instead celebrate the mainstream assimilators who borrowed innovations, diluted their impact, and disguised their sources. In Music: A Subversive History, historian Ted Gi...(展开全部)

Each year readers submit over three thousand grammar and style questions to the Q&A page at "The Chicago Manual of Style Online". Some are arcane, some simply hilarious - and one editor, Carol Fisher Saller, reads every single one. All too often she notes a classic author-editor standoff over the 'rights' and 'wrongs' of prose styling: 'This author is giving me a fit'. 'I wish ...(展开全部)

Brute facts are facts that don't have explanations. They are instrumental in our attempts to give accounts of other facts or phenomena, and so they play a key role in many philosophers' views about the structure of the world. This volume explores neglected questions about the nature of brute facts and their explanatory role.

A classic returns. The original edition of Amos Vogel's seminal book, Film as a Subversive Art was first published in 1974, and has been out of print since 1987. According to Vogel--founder of Cinema 16, North America's legendary film society--the book details the "accelerating worldwide trend toward a more liberated cinema, in which subjects and forms hitherto considered unthi...(展开全部)